Hollister-Kinne House (1849)

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Built in 1849 (the date 1841 is on the chimney in the attic), on Tryon Street in South Glastonbury, by the Hollister family (the 1649 John Hollister House stands nearby). Martin Hollister owned a gristmill and later a woolen mill up Roaring Brook. He was also a judge involved in the case of the Smith sisters. The house was later sold to the Kinne family, who still own the house. Since the 1970s, Nayaug Stables, an equestrian center, has been located on the property.

Lorin and Florence Hollister Curtis House (1840)

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The front porch was added later to this c. 1840 Greek Revival house, located on High Street in South Glastonbury. The house was once occupied by Lorin Curtis, a Civil War veteran, and his wife, Florence Hollister Curtis, who wrote a history of Glastonbury in 1928. Now a two-family home, the house also features a rear addition, built as a studio by the artist Dick Wilton, who lived in the house in the 1980’s.

The Connecticut State Library and Supreme Court Building (1910)

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Located on Capitol Avenue in Hartford, right across from the State Capitol building, Connecticut’s State Library and Supreme Court Building was constructed in 1908-1910. It was designed by the New York architect, Donn Barber, in a style influenced by the Italian Renaissance. The statues above the front entrance, installed in 1913, are figures of Justice, History, Art and Science, sculpted by Michel Louis Tonnetti. The building’s East Wing houses the State Library, while the West Wing houses the Supreme Court. Between the two wings is Memorial Hall, which is home to the Museum of Connecticut History. As with the neighboring State Capitol, visitors can take tours of the Supreme Court.

Gail Borden Munsill House (1895)

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After completing her home on Wethersfield Avenue in Hartford in 1893, Mary Borden Munsill had one built next door for her son, Gail Borden Munsill. The home, completed in 1895, is constructed using yellow brick, which gives it a distinctive appearance. The son’s house, unlike the mother’s, is less ornate and, with its greater smoothness and symmetricality, looks ahead to the Colonial Revival style.