The house at 84 Windham Street in Willimantic was built in 1898 and was the home of Lorenzo Litchfield, a station agent for the New York, New Haven & Hartford Railroad. His wife, Lizzie Amelia Pomeroy, widow of John Bliss Fuller, was a member of the D.A.R. and the General Society of Mayflower Descendants.
The Georgian Colonial house at 24 Main Street in Farmington dates to c. 1769, but it may incorporate the earlier home of John Hooker (1665-1745), son of Rev. Samuel Hooker, built around 1688. The house eventually passed to John Hooker‘s grandson, Roger Hooker, Jr. (1751-1830), who later sold it to Col. Isaac Cowles. It then passed to the Colonel’s son Maj. Timothy Cowles (1784-1858), who sold it in 1834 to store-owner William Gay.
The Italianate house at 289 Main Street in Kensington (in the town of Berlin) was built c. 1855 for Milo Hotchkiss (1802-1874). At first a painter, Hotchkiss became a wealthy landowner (in 1850 his real estate holdings totaled a substantial $5,000). He also operated a station on the Underground Railroad. Hotchkiss was a descendant of Gideon Hotchkiss, who served in the French and Indian and Revolutionary Wars. The biography of Milo Hotchkiss is given in David N. Camp’s History of New Britain: With Sketches of Farmington and Berlin, Connecticut (1889):
Milo, son of Charles Todd and Leva H. Hotchkiss, was born at Homer, Courtland County, N. Y., Oct. 10, 1802. He married Rhoda Barrett, a native of Kensington, Jan. 22, 1826. Mr. Hotchkiss improved the limited advantages for education which he had in youth, and acquired habits of careful observation and thinking which characterized him through life. He early developed a natural taste for drawing and painting, and devoted several years to portrait painting, which brought him steady employment until other interests required his constant attention. He removed to Kensington in 1831, where he passed the remainder of his life. He had the care of a farm upon which he worked a part of the time, but was largely occupied in the settlement of estates and in public business. He was for many years justice of the peace, and was notary public until his death. For more than forty years he was a member of the board of school visitors, and for much of the time acting visitor. He was untiring in efforts to advance the cause of education, and especially to increase the efficiency and usefulness of public schools. He united with the Congregational Church soon after coming to Connecticut, and was ever a liberal supporter of gospel ordinances. He was an ardent advocate of the temperance and anti-slavery reforms, sometimes suffering in person and property from the attacks of opponents of these causes. He died Oct. 12, 1874.
As a young man, Nelson Augustus Moore, a Kensington-born photographer and painter, was inspired to further his artistic career after assisting Hotchkiss in painting a life study of a child killed in an accident in 1842.
The house at 360 Maple Street/1331 Forbes Street in East Hartford was built c. 1800. It was erected by Benjamin Roberts, Sr., possibly as a speculation, on land which, until 1818, was owned by the Congreational church. From the mid-nineteenth through the early twentieth centuries the house was owned by the Winslow family.
Carlyle F. Barnes (1852-1926) was a businessman, musician and prominent citizen of Bristol. A chapel donated to his memory by his wife and two sons is located at 49 Pound Street (at West Cemetery) in Bristol. It was designed in the Norman style by Earle K. Bishop (of the firm of Perry and Bishop of New Britain) with stained-glass windows by by Calvert, Herrick & Riedinger. The Carlyle F. Barnes Memorial Chapel was dedicated on November 9, 1930 and is managed by the West Cemetery Association.
The grand High Victorian Gothic-style Humphreys Building is prominently situated at 131-139 Main Street in downtown Seymour. The building was erected in 1891 by Carlos French (1835-1903), a prominent businessman and industrialist in Seymour.
The building at 163-169 Main Street in Seymour was built in 1921 and was originally called the Donavan Building. Its front marquee was added c. 1941 when the Stand Theater opened. It later became a second-run theater and is one of Connecticut’s few remaining single-screen movie houses. Its Art Deco interior was restored in the 1990s. The building is owned by the Knights of Columbus.
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