While the Gothic style was used extensively in the nineteenth century and continues to be popular for churches, by the end of the century there was a general return to classicism and a growing interest in colonial architecture. The Immanuel Congregational Church, on Farmington Avenue, was built in 1899 in a style that drew on Roman and Byzantine antecedents and also reflected the Colonial Revival with its red brick and white trim. It was designed by Ernest Flagg, who was known for his neoclassical Beaux-Arts buildings. The church is located across the street from the Mark Twain House. Although the author was no longer residing in Hartford at the time, he still owned the house when the church was built, and referred to the new structure as the “Church of the Holy Oil Cloth” because of the green and yellow Byzantine tiles on the front elevation. These tiles proved so controversial they were plastered over and not uncovered again until the 1980s.
Immanuel Congregational Church is the successor to two earlier congregations. The older of the two was North Church, founded in 1824, and originally located on Main Street where the famous Horace Bushnell was the minister from 1833-1859. In 1867, the church moved to the corner of Asylum and High Street and was known as Park Church for its location across from Bushnell Park. Meanwhile, in 1852, Pearl Street Church had been founded. This congregation moved west and built the Farmington Avenue Church in 1899. It merged with Park Church in 1914 and the two congregations became one under the current name of Immanuel Congregational Church. The church also has a blog.
This concludes our week-long look at some nineteenth century Hartford churches. We began with the earliest Puritan congregations which, early in the century, produced meeting houses in the Federal style (Center Church, South Church). We then moved to the great popularity of the Gothic Revival style, popular with the Episcopal (Christ Church Cathedral) and Catholic (St. Peter’s Church) denominations, and also used by the Congregationalists (Asylum Hill Church). The use of the Gothic mode reached an artistic peak with Edward T. Potter’s High Victorian Gothic masterpiece, the Church of the Good Shepherd. And now we end our survey at the end of the century with the return to classicism represented by the Immanuel Congregational Church.