At 5 Elm Street in Ansonia is a house built circa 1789 and altered in later years (including the addition of a Victorian-era front porch). Called the Sheldon Curtiss House, it was an inn in the early nineteenth century, serving the coach road between New Haven and Humphreysville (now Seymour).
At 206 Tower Avenue is a house constructed in 1928. It was the home of Wilfred Xavier Johnson (b. 1920) from 1966 until his death in 1972. Johnson’s family came north from Georgia in 1925 and settled in Hartford. Johnson worked as a “runner” (messenger) after school for the Hartford National Bank. After World War II, in which he served as dental technician, Johnson returned to work for the bank. In 1955 he was promoted to teller, the first African-American to hold the position in the state. He held that position until his death. In 1958, Wilfred X. Johnson became the first black candidate to be endorsed by the Democratic Party in Connecticut. He served four terms as the first black representative in the state assembly. His wife, Gertrude Johnson (b. 1927), was also active in city politics. She served as treasurer of the Young Democrats in 1957.
At 67 Union Street in Thomaston is an elaborate Queen Anne-style house built in 1884. It is named for David Plume, Treasurer of the Plume and Atwood Manufacturing Company, which produced lamps and supplied brass for Seth Thomas clocks. The house served as living space for various mangers of the brass mill. It was owned by the company until 1914, when it was sold to a company stockholder, Leslie E. Blackmer.
At 671 Farmington Avenue in Farmington is a saltbox colonial house built in 1704 by by Timothy North (the date of 1704 is probably a traditional date: it may date to much later, circa 1780; or it may have been built by Timothy’s father, Thomas North, as Timothy North was not even born until 1714). It was later home to Timothy’s son, Seth North (1752-1822), who was known as “Sinner North” because he never attended Sunday services in the meeting house and refused to pay the fines that he was then charged as a punishment. The village boys used to refer to him in a deferential manner as “Mr. Sinner.” As related in Farmington, Connecticut, The Village of Beautiful Homes (1906):
He was otherwise so much in accordance with modern ideas, that as he drew near his end, he ordered his body to be cremated, the place a lonely spot on the mountain between two rocks, and his friend, Adam Stewart, chief cremator, who was to inherit the house for his kindly services. The civil authority, however, interposed and insisted on giving him what they deemed a Christian burial, but Adam Stewart got the house and it remained in the family many years.
In 1898, when Alfred A. Pope was acquiring the various parcels that would make up the Hillstead estate, he purchased the North House. The house was remodeled, an old barn on the property was replaced with a new hay barn and an attached cow barn was also constructed, as well as two other small buildings (a shed and a shop) designed by Pope’s daughter, Theodate. In the resulting farm complex she raised a Guernsey herd.
The house at 36 Brooklawn Avenue in Bridgeport was built in 1896. It was first the residence of Mrs. Andrew E. Nash, widow of a real estate developer.
Abraham Coan, a Guilford builder-architect, built his house at 29 Broad Street on the foundation of the earlier Chittenden House. Its design was influenced by the work of builder-architect Peter Banner, who was designing the house of Yale’s president and other buildings on the Yale campus at the time. Banner later designed the Park Street Church in Boston. Coan had a joiner’s shop near his home. The house was purchased by Simon Chittenden in 1857 and named “Mapleside.” The entrance was then moved from the front to the west side of the house.
The house at 1846 Main Street in Glastonbury was built in 1786 for Matthew Miller, the grandson of William Miller, whose 1704 house is nearby at 1855 Main Street. A brick from the house’s chimney bears the impression of both sides of a Piece of Eight, a Spanish coin. It was probably a ballast brick, carried on a ship traveling from South America or the West Indies. The brick is on display at Glastonbury’s Museum on the Green.
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