Members of the Southington Congregational Church met in 1863 to form a new congregation in the Plantsville section of town. The Plantsville Congregational Church was built at 99 Church Street in 1866. An excellent example of the Gothic Revival style, it was designed by J. Cleveland Cady, a nationally prominent architect. An 1868 book entitled The Architects’ and Builders’ Guide: An Elaborate Description of all the Public, Commercial, Philanthropic, Literary, & Ecclesiastical Buildings Already Constructed, and About to be Erected Next Spring in New York and its Environs, with their Cost Respectively, and the Names of the Architects and Builders, by John W. Kennion, contains the following description of “The New Congregational Church at Plantsville, Conn.,”
This building, designed by Mr. J. C. Cady, Architect of New York, is of the Gothic style, adapted carefully to the wants of the congregation. It is completely free from all shams and make-believes. The interior wood-work is of chestnut and black walnut, (except the framings of the open timber roof, which is of pine,) all waxed or oiled, showing the natural and beautiful grain of the wood. The walls are colored in flat tint, the ceiling a deep blue, and the side walls a delicate harmonious neutral. The windows are filled with stained glass of quiet and pleasing tones. Back of the pulpit, is a large arched opening, richly moulded, which is the frame of the apse, or semi-circular alcove, in which are the clergymen’s seats. Two large dormer windows in the roof, one either side of the pulpit, contribute greatly to the light and cheerfulness of that portion of the church—the light falling down upon the pulpit and the people, and not being directly in the eyes of the congregation, as is the case where there are windows back of the pulpit. It is capable of seating about five hundred worshipers, all of whom can see the speaker, hear him as easily as in an ordinary room, and enjoy good ventilation. The exterior of the church is quite picturesque, with graceful tower and spire, capacious porches, gables, &c., all harmonizing with the situation and expressive of their various purposes.